Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
CD – Herbal International
Gregory Büttner recorded Pochen in March of 2011 at the PAF (Performance Arts Forum) in St Erme, 150 km North-east of Paris, France. PAF, founded in 2006, is a space dedicated to the performing arts, be they visual, literary, musical or concerning new media and the Internet. While the centre is housed in what was a convent school, the breadth of theoretical and cultural activities that take place there are anything but parochial. Throughout a three-week residency in the space, Büttner had free rein to explore the 6,400 square metre building, from the attic to the basement and from the small private chapel through to the various rooms and artist’s studios, examining the old building, exploring its acoustic qualities, recording sounds and improvising within the various sonic environments. The resulting recorded material was then processed for a final composition of 40 minutes, mastered by Giuseppe Ielasi. Another live version of the work, which was commissioned by WDR3 Studio Akustische Kunst, was subsequently presented in July 2013. An experimental music label founded in 2003 in Malaysia by Goh Lee Kwang, Herbal International is not new to field recordings and site-specific pieces, having worked in the past with the likes of Eric La Casa & Cédric Peyronnet, Jason Khan or Lasse Marc Riek. Today the ‘building as instrument’ is an attractive concept for much experimental composition and performance. “Pochen” holds its own thanks to the singular skills of the German master, head honcho of another well known label well known, the 1000füssler.
Gregory Büttner – Pochen (Excerpt)
