Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Pirate Bay owners Gottfrid Svartholm (aka anakata), Peter Sunde (aka brokep), Fredrik Neij (aka TiAMO), and Carl Lundstrom recently were given prison sentences for their roles in running a BitTorrent torrent aggregator that centralises free music, film and software trading. Ordered to pay 30 million Swedish kronor (SEK), Anakata has instead launched a campaign dubbed “internet-avgift“, or “internet fee”, a play on Sweden’s television licence fee, the tv-avgift. Using a website modelled on the one run by Sweden’s television licensing body, Pirate Bay founders are encouraging their fans to assist them in sending money to Danowsky & Partners, the law firm that represented the music industry at their trial. The internet-avgift in fact consists of a “DDO$” attack, a reference to DDOS (Distributed Denial of Service) attacks. While a standard DDOS attack encourages a flood of e-traffic to knock a website offline, the so-called DDO$ encourages a shower of payments to overload the victim. Receiving no more than one Swedish kronor at a time, the Danowsky firm will be forced to spend a huge amount of money processing little more than pocket change, as the bank account to which the payments are directed has only 1000 free transfers, after which any transfers have a surcharge of 2 SEK for the account holder. Pirate Bay’s captains are some of the world’s sneakiest filesharers and their last mischievous act could end up ruining the law firm. Will the ill-equipped lawyers succumb to a torrent of payments? Or will they end up on top? The trial continues.
Valentina Culatti
