Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
La tecnica di rastering, ossia di resa di un’immagine qualsiasi in bianco e nero attraverso l’uso di punti di varie dimensioni, è stata ampiamente sfruttata in passato per la resa fotografica su diversi media a bassa risoluzione, come i quotidiani fino ad una decina d’anni fa. Le possibilità di una simile tecnica, però vanno ben oltre, consentendo di visualizzare in grandi spazi immagini ottenibili con la stampante di casa. Rasterbator è un’applicazione lato server che consente di realizzare proprio questo tipo di conversioni, ottenendo grandi immagini rasterizzate anche da piccoli files di partenza, che possono poi essere stampate a pezzi con la propria stampante in bianco e nero e riassemblate sulla superficie desiderata. Il sito guida l’utente nella realizzazione dell’immagine stessa, scelta da un url o uploadata dal proprio pc, e inviatagli poi nella sua forma finale come file in formato pdf. Le possibilità d’intervento urbano attraverso l’uso oculato di un software del genere sono numerose, soprattuto confrontandole con le miriadi d’intrusioni adesive archiviate da StickerNation, nella speranza che iniziative di riappropriazione degli spazi pubblici, come il Paintbait – Public Space Reclamation Project, possano ottenere risultati concreti.
