“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
Edited by Christian Ulrik Andersen, Geoff Cox and Georgios Papadopoulos
The Post-digital condition
Applications of the Post-digital
Edited by all participants
Published by Digital Aesthetics Research Center, Aarhus University in collaboration with transmediale/reSource.
Design by The Laboratory of Manuel Bürger
CC license ‘Attribution-NonCommercial-ShareAlike’
ISSN (PRINT): 2245-7593
ISSN (PDF): 2245-7607
A peer-reviewed journal about // (APRJA) is an open-access research journal that addresses the ever-shifting thematic frameworks of digital culture.Through open calls researchers, artist-researchers, and particularly PhD students are invited to participate in an on-going exchange of ideas that functions as a peer-review process for the joint publication of a research journal (available on aprja.net) and a conceptual print newspaper (available in hardcopy at transmediale and elsewhere).
All articles are included in the newspaper series (“Peer-reviewed Newspaper”), where the editors may also choose to work conceptually, and include other relevant material to reflect the thematic framework. In the format of an elaborated argument, the articles are also submitted to APRJA online journal for further peer-review.