“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
CD – Ecosono
As a combo whose typical sounds are very wobbly and crooked, permeated with electronic, experimental and jazz influences, “Mobile Interactive Computer Ensemble”, traveling 30,000 miles by ship around the world, have created a successful series of concerts, collaborating with and connecting the cultures of different countries with many “ecologies” and computer systems. Of course, this “multicultural” approach is woven throughout the actions of this collective, which becomes ever richer, compiling and developing different techniques and knowledge. They are balanced between acoustic and digital styles, aggregating many well understood traditions that typical of both world music and some free-form strategies. In the stratification of experiences and sounds, a sort of non-conformist “neo-hippie avant-garde” taste shines through. The motto of this label, EcoSono, says it very clearly: “imaginative sound art for a sustainable future.” We can neither confirm nor deny the optimistic prediction of a sustainable future: however, the concept that the world could be saved by music sounds quite pleasing to us.