Eternal September, the rise of amateur culture exhibition at Aksioma, curated by Valentina Tanni. From internet folklore to the deja vu “on the screen” an exploration of “amateur culture” quickly corroding certainties. http://www.aksioma.org/eternal.september/index.html
Gentle melodies and indietronic patterns are veined with a very insistent downtempo melancholy and crystal clear sounds in this finely modulated work by Milosh, a Canadian classical and jazz composer. This is his third release, emblematic in its sensitive junctions, embedded in a tenuous electronic music, carefully diluted with neo-soul influences and polite glitch processes. Scenes from everyday life, simple stories, told with insight and shyness, a falsetto voice and environmental approximations. Deconstructed beats, careful samples, vibrating in the strings and the tremulous synth, unraveled in harmonious solutions and arrangements. It is certainly not a project with a strong experimental character, but it isn’t a simple sound wallpaper or contemporary chamber music either. It is poised between many eclectic and unconventional abstractions. Romantic electronic music, impalpable and not all that sweetened, since all these feelings – even if anachronistic – seem genuine enough to us.