uberKITSCH_series, the screen in its dual perspective.

uberKITSCH series

The screen is the place that welcomes the truth (alleged) of our media society. The illuminated pixels are constantly changing, representing the real through their colors in constant motion and their icons built. The real and the fictional are always side by side, but it is impossible to say with certainty to distinguish them. This clash between virtual and real is also a consequence of the history of the media, where each medium has always been 'digested' his predecessor. In uberKITSCH_series (the group of Ubermorgen, author of net art projects such as Injunction Generator and SellTheVote ), it is a brief analysis of the relationship between the screen perfectly clean understood as a representation of the representations of objects through icons and Nostr apercezione the same screen through photographs. The screen is always represented as well as he would have done a car, and at the same time as you can see it through the matrix of pixels. These two different perspectives of the same object (number of pixels) are placed next to each other, witnessing the mediation of graphical information and subtitled by some ironic definitions of God, interpreting this comparison. The real flaws visible in the pictures of the screen, compared with the perfection of the screenshots can be seen as another metaphor for the awkward relationship between the defects of physical objects and their representation within the space of perfect virtual desktop.