Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
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05:11:02 PDPal, public art PDA.
Although still in the 'alpha' development PDPal is an interesting public art software for PDA (Personal Digital Assistant). Powered by →
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05:11:02 Zombie and Mummy, comics weekly social for Palm.
Olia and Dragan Espenschied Lialina (one of the first net.artiste) launched ' Zombie and Mummy ', →
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01:11:02 TV or Not TV, 8th celebration of experimental media arts in Los Angeles.
Begins November 1 in Los Angeles TV or Not TV, 8th →
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01:11:02 Observatori'02: open space for ftp art.
It opens on November 1, in Valencia (Spain), the third edition of Observatori 'festival of art investigation', which →
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31.10.02 NYU Media Research Lab, digital experiments.
That eclectic professor of the Department of Computer Science (Media Research Lab in New York), Ken Perlin , →
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31.10.02 ArtFutura, the web as canvas.
Si'inaugura October 31 at the CCCB of Barcelona the thirteenth edition of ArtFutura , a four-day festival on the →
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30.10.02 EndNode, net art paper.
The interaction between the network and the real world (ie communication between the incorporeal and physical) becomes more and more →
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30.10.02 Part Two, VJ television channel blocker.
On 30 October, starting at 20.00 (New York time) will be held PART TWO (a 24-hour event on →
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29.10.02 Viper 2002 movie online or not.
It was concluded on 27 October, the Viper festival in Zurich, which this year has articulated its cultural →
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29.10.02 ISEA 2002 and Orai of digital.
The ISEA (International Symposium on Electronic Art) was chosen as the location for its 2002 edition , opened →
