Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
The preservation of media art, video art from the net and software art, is one of the crucial problems to transmit to future generations the large number of poetic ideas and contradictions →
Christian Ristow builds his robots with the intent to destroy him (symbolically or physically) part of our conventions, articulating his perspective on issues at the same time holy and perverse. The public performance of the robots →
The Wartime Project was born in December 2002 in view of the imminent attack of the U.S. and Britain against Iraq. It 's the result of a collective effort by several artists who use digital and →
The representation of content via ASCII characters can go beyond mere aesthetics low-tech, even with all the signicati that it brings with it. In Text recontextualizer the collective Eidolon a specified image can be coupled to →
When the Western consciousness is ready to rework the tragedy of 11 September 2001? If the media hammering of those days triggered a process of estrangement from overload of such sequences proposed again countless →
'Art automatic network', seems to be the most appropriate definition of this software that modifies some abstract images based on the IP numbers of the patrons. ipPainting , in fact shows the opening page of colored →
dvd video – Carpark
Yoshi Sodeoka, with his ‘c404’ handle, is among the artists who prefer experimenting on the fringe of the ‘official’ electronic art exhibitions. He’s got a very peculiar and recognizable →
Yoshi Sodeoka, with his ‘c404’ handle, is among the artists who prefer experimenting on the fringe of the ‘official’ electronic art exhibitions. He’s got a very peculiar and recognizable style. #41, Colors, Television Microwave And Ghost →
At the Centraal Museum in Utrecht, it’s being held the 2003 edition of the Impakt Festival. ‘Music, Fashion and Politics’ is the theme of this year’s edition, to stress the young artists’ need to express themselves in →
On 30 and 31 May there is the media center of Helsinki on Lume READ_ME 2.3 Software Art Festival , a festival dedicated to software and its possibilities of artistic creation still to be discovered. At →
