Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
After more than five years from the experiments via the midi Rocket Surfer, and a stop in the community of musicians engaged in jam sessions online, formed and then destroyed in one of the many sad →
The Beijing government has decided to restrict the policies for wireless networks, promoting a local standard encryption. In a Business Week article , it is known as the Intel will stop selling its Centrino in China →
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24.03.04 Rasterbator, rastering for large spaces.
The rastering technique, that is, the rendering of a black and white image using dots, has been widely used in the →
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18.03.04 Life’s a User’s Manual: Argos Walk.
Bringing into reality elements of the most visionary science fiction is a characteristic of artists and hackers, with has the →
The creative attitude of the correct definition of hacker is inherent in the term itself, which presupposes a vitality expressed by the rejection of the rules imposed from above and the ability to reinvent the real →
In the multiple activities of the Belgian composer Godfried-Willem Raes, there is to assemble more than thirty years bizarre and intriguing robotic musical instruments and / or automatic. From Pneumafono (powered with compressed air) to Rotomoton →
The signals / data in transit in the urban space and multiply the possibilities of crossing streams and organize temporary network or 'ad-hoc' as they are called technically, creates new scenarios of interaction. Umbrella.net is an →
The MIT Press, ISBN 0262134365
One of the cornerstones of hypertextual literature are text ‘adventures’, which lured in front of the monitor many users of the first personal computers. The value of computer programs as tools →
Among the items to remember the eighties is certainly the place 'Simon' simple but very effective game through four large buttons of many colors allowed players to compete on the basis of musical sequences longer and →
Among the items to remember the eighties is certainly the place 'Simon' simple but very effective game through four large buttons of many colors allowed players to compete on the basis of musical sequences longer and →
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31.03.04 The Sculptural User Interface, language’s scultures.
Undoubtely, this artistic project by Michael Rees, based on the mix of sculpture and new media, looks very ambitious. His →
The concept that has been characteristic of the studies of sound spatialization assumes that the listener is in a situation of passivity. But for the mobility and fluidity of contemporary society would be more useful a →
The subliminal images (shown for an infinitesimal time on the screen, and then perceived but not consciously) are one of the oldest tricks unfair broadcasting and film, to cause or induce needs attention, but rarely are →
Karsten Schmidt, aka toxi, author of the experiments' Macronaut 'and' The Well ', continues to divide between the commercial collaborations and projects published (complete with source code attached) on its website. The last in order of →
