Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
The use of data for pure aesthetic, ruins the means, and reduce the contents to a shapeless pile of digital material. This is handled as raw material, consisting of almost indistinguishable particles, that value only for →
book – Autonomedia – ISBN 1570271704
The immaterial production does not only have exquisitely political (precariousness, mobility, real time…), or aesthetic (manipulability, coding, de-location…) implications. It contains →
book+CD – LMC/Resonance – ISSN 1352772X – RESsupp2CD
The sound art scene has received a tardy acknowledgment, and then only because of the fascination of its technical apparatus and of the extensive use of →
There’s a hidden ecosystem under the trumpeted broadband explosion. The disturbance element of the data transmission that went wrong are natural events that belong to the net as the water losses of water are of →
The IT security systems has become more and more important, as the computer has started to treat data that is really important for our lifes. But the data protection methods, mostly derived from the mutual identification →
The sound art scene has received a tardy acknowledgment, and then only because of the fascination of its technical apparatus and of the extensive use of sound in installations / electronic works of art, instead →
The IT security systems has become more and more important, as the computer has started to treat data that is really important for our lifes. But the data protection methods, mostly derived from the mutual identification →
There’s a hidden ecosystem under the trumpeted broadband explosion. The disturbance element of the data transmission that went wrong are natural events that belong to the net as the water losses of water are of →
There are still cultural phenomena that are prosperously developed in a delimited territory, even in current times, when we experience connections with far distant cultures and behaviors. This is evident looking at the flourishing of →
If chaos is a required element, deeply rooted in huge systems as the net, it is at the same time the enemy number one for new software pieces and components, that tries to bring the user →
The ‘brand’, i.e. the corporate identity symbolized by the logo, is the visual capital of the corporation and their precise and prudent strategy is to cautiously distribute it through our visual scanning space. ReTag is a →
dvd video – Index – Index DVD 014
There are still cultural phenomena that are prosperously developed in a delimited territory, even in current times, when we experience connections with far distant cultures and →
The ‘brand’, i.e. the corporate identity symbolized by the logo, is the visual capital of the corporation and their precise and prudent strategy is to cautiously distribute it through our visual scanning space. ReTag is a →
If chaos is a required element, deeply rooted in huge systems as the net, it is at the same time the enemy number one for new software pieces and components, that tries to bring the user →
