Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Les Films d’un Jour, 2009, France, Francaise, English
Prélude au sommeil (Prelude to sleep) is a documentary film catching the spirit of Jean-Jacques Perrey, an eclectic electronic music pioneer who began →
We’re accustomed to being under surveillance. We’ve taken for granted that cameras are everywhere “for our own safety”. And we don’t care anymore of being recorded in the street 30, 60 or 100 →
ALT/1977: WE ARE NOT TIME TRAVELERS on the Behance Network
grab all the modern technology I could find, take it to the late 70's, superficially redesign it all to blend in, start a consumer electronics company to unleash it upon the →
The MIT Press, ISBN-13: 978-0262013727, 2010, English, U.S.A.
There’s an ethereal legacy between the nineteenth century (most of it was the so called Victorian era), science and technological innovation and the →
cellsbutton – yogyakarta international media art festival
yogyakarta international media art festival, Invisible Cells
(tags: art exhibition festival media)
Speakers are neutral. They carry the sound from its decoded source to our ears, but they are firm, static and impartial. They can be adjusted to create a better listening experience, or multiplied and →
TechnoCRAFT | Yerba Buena Center for the Arts
TechnoCRAFT explores how the boundary between the role of the designer and the consumer is disappearing
(tags: art design media hacking)
Damn Vulnerable Linux – The most vulnerable and exploitable operating system ever!
Damn Vulnerable Linux (DVL) is everything a good Linux distribution isn't. Its developers have spent hours stuffing it with broken, ill-configured, outdated, and exploitable software that makes it vulnerable →
The MIT Press, English, ISBN-13: 978-0262513005, U.S.A., 2009
Psychologists have been rarely very helpful in understanding the most deep and intimate relationships between men and machines. At the end of nineties one →
YouTube – Sesame Street: Herbie Hancock Makes Sounds
Herbie Hancock shows kids electronic music.
(tags: preservation music sound)
on Vimeo
An installation of casual movements of living creatures are captured to create live concerts
(tags: art sound music generative)
Second Life Liberation Army
The SLLA is a →
The descriptive, literary role of programming code has not being properly exploited, especially by writers and poets. Yet there’s an incredible potential to create sense through the syntax and grammar rules of a →
back in the good old days : FABIEN CLERC Artist Geneva
Back in the good old days, faïence émaillée avec lustre or et décor "Vieux Nyon" peind à la main, meuble en bois lacké et vernis
(tags: art vinyl sound music)
Hackbus
This site →
Springer Verlag, Austria, English, ISBN-13: 978-3211781609
The laboratory as an atelier: this seems to be one of the paradigms of art and science. “Art” and “science” are two terms that have been →
PixCell via PRISMOID Kohei Nawa | Art Editions Concept | iida
Kohei Nawa, PRISMOID mobile phone
(tags: art design mobile)
