“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
Bloomsbury Academic, ISBN-13: 978-1623567453, English, 376 pages, 2013, USA
More than a decade after his best seller “The Language of New Media”, and five years after he started to post drafts on mailing lists, the new Manovich book is finally →
The MIT Press, ISBN-13: 978-0262518284, 192 pag, 2013, English
The fascination with “big data” – usually referring to a huge quantity of digital data and an attendant piece of powerful software that trawls it looking for new correlations – is →
Deep in the core of the Kindle (Amazon’s e-book reader) terms and conditions there is one clear sentence concerning the ownership of digital content: “Kindle Content is licensed, not sold, to you by the Content Provider”. This means that every →
Digital devices support portable literature at various levels, but this mostly involves bestsellers and popular literature, most of the time excluding poetry. The artwork Autonomous Parapoetic Device (APxD mkII) by Adam Parrish is a portable machine that generates poetry, and →