Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
LP – SVS
This release is produced by SVS, a label found in 2013 by Benedikt Brachtel & Daniel Hermann-Collini, a project focused on artistic residences and on a platform created for the participants. Zoë McPherson, a half French →
LP – Warm
After Sans Cesse in 2016 and Cluzel in 2018, Mathias Delplanque and Guillaume Ollendorff release a new album under the name Ply, as the last one produced by the label Warm. Listening to the first of the →
CD – Denovali
A cryptic female voice says something in Korean. The narration develops theatrically, following some embracing, warm and disturbing ways. The background electronics is accurately unraveled, with insisting and anxious atmospheres. The multimedia artist Orson Hentschel enjoys musical →
CD – Kvitnu
Released by Kvitnu, Transition is the new studio album by Plaster, a moniker hiding the real name of Gianclaudio Hashem Moniri (earlier in a duo with Giuseppe Carlini). Transition shows a different approach from the past: more →
12” – Le Cabanon
Born in 1987, Othello Aubern is Italian from his mother’s side and Swiss from his father’s, and currently lives in Omsk, a Russian city located in Southwestern Siberia, capital of the region. Maybe the sky of →
Lp – Black Chrysalis
Dangerous Vision is produced by Black Chrysalis Archives, an independent label born in 2017 focusing on techno and is the last work of the Bolognese Matter, an alias of Fabrizio Matrone, also known as Heidseck. Always →
CDr – Kvitnu
Kvitnu can be proud of their entry into the catalogue of Exo_C, for an untypical collaboration between Fan Yau – aka Exoterrism – and Carl Cock, this last artistically known as c_c, with a very refined and →
LP – BAU / Sussidiaria
Two main tracks of 20 min 34 seconds and 20 min 11 seconds give birth to the latest performance of Forbici di Manitù (Manitu Rossi, Vittore Baroni and Gabriella Marconi) entitled “GPS”, that is →
CD – Sofa
The Sofa Music of Ingar Zach and Ivar Grydeland is a Norwegian experimental label active since the 2000’s, which over the years has produced some extreme projects with artists from different backgrounds. We remember the free forms →
CD – Denovali
Behind the moniker of Ensemble Economique there is the Californian Brian Pyle and soon our memory goes to his project Starving Weirdos, featuring Merrick McKinlay. He is a very prolific artist: his career started already more →
