Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
La percezione degli eventi e degli oggetti cambia radicalmente a seconda del contesto in cui essi si trovano. Le performance, in particolare, sono legate all’atmosfera che le circonda e agli eventi che accadono in quel →
‘Making the revolution sexy’ è l’efficace slogan che David Thrussell, songwriter di Melbourne applica ormai da quasi vent’anni con la sua band, gli Snog, un esempio unico di attivismo politico non ostentato e applicato attraverso i →
I pionieri e i musicisti elettronici d’avanguardia hanno tracciato un solco di teorie e pratiche il più delle volte lontano dalle luci dei musei e delle grandi istituzioni. Ma proprio da loro va →
La rincorsa alle tecnologie ultimissime fomentata dalle sirene del marketing è una triste chimera di garanzia di successo che quasi mai mantiene le sue vacue promesse. L’ingegno, invece viene spesso stimolato da un uso non →
Visualizzare la musica sembra essere una delle ‘necessità’ artistiche dell’ultima decade. La proiezione di spontanee, generate, algoritmiche, astratte, poetiche o semplicemente arbitrarie interpretazioni visuali della musica (eseguite o riprodotte) sta coinvolgendo musicisti, artisti visuali e →
book – Harvard University Press – ISBN 0674008898
Anche se negli ultimi anni si sta assistendo ad una sorta di mitologia degli strumenti analogici, in quanto soglia verso le radicali trasformazioni digitali, si può pensare →
opo il clamoroso caso del Grey Album e il notevole numero di adesioni al conseguente Grey Tuesday, comincia a coalizzarsi un nutrito e agguerrito fronte di lotta per difendere l’utilizzo artistico dei campioni, —–
Ancora una simbiosi audio/visiva fra un musicista e un videoartista che integrano le loro attitudini amplificandosi l’un l’altro. Tre tracce in cui i cupi suoni d’ambiente e le percussioni gommose del viennese Pure s’intrecciano con la narrativa →
dvd video – Carpark
La dimensione collaborativa che può essere innescata dalle macchine connesse assume un diverso valore quando viene effettuata dal vivo, con l’incertezza e l’unicità insite in una performance. Di questa peculiarità si →
cd+ – Crónica
Accordare suoni e visioni attraverso lo scorrere delle dita sui touchpad e i click della tastiera è un’arte non meno complessa dello sfregare di corde e della proiezione di video. E includere →
