Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Pen Drive USB/Micro SD – Comatose
Ci vogliono all’incirca 15 minuti per copiare sul nostro hard disk 15,66 GB, fra file audio vari, video e testi. Sono all’incirca 32 le ore di →
CD – 23five
Richard Garet è uno sperimentatore sensibilmente avvezzo a performance audio/visual, alquanto attento nell’analisi degli spazi e dei processi che intercorrono nella determinazione dei fenomeni generati. Tipico del suo approccio →
CD – Hibernate
Le incorporee trame di “Abstracts On Solitude” danno vita nel complesso a un singolare ecosistema che scava a fondo nella nostra percezione, traendo sostentamento non solo dalle manifestazioni più →
CD – Alone At Last
È dedicato a Lautréamont (Isidore Lucien Ducasse) “Celtichants” di Maurizio Bianchi e l’accostamento che viene spontaneo a proposito di questa menzione è quello d’una natura visionaria, un →
CD – Hymen
Sotto il moniker di VNDL agisce Philippe Vandal, giovane sperimentatore elettronico che ha base a Montreal e la cui prima uscita “Something For Someone” fu pubblicata nel 2009 su Abstrakt →
CD – Senufo
Nelle forme abbastanza astratte ed iterate di un’installazione per lettori di cassette usati, non certo casualmente disposti su una parete bianca, seppure differenti per fogge e modelli, Stephen →
CD – Line
Il subharchord è uno strumento musicale elettronico che utilizza la sintesi subarmonica: questa sound-generating device è stata riscoperta nel 2000 da Manfred Miersch, un artista di Berlino →
CD – Firework Edition
Registrazioni effettuate a Losanna, in Svizzera, in un’antica scuola di anatomia, oggi bibilioteca, quelle poi montate dallo stesso Francisco Meirino allo Shiver Mobile studio fra Novembre e Dicembre del 2011. Emissioni auditive esitanti, piuttosto cupe e →
CD – Nurnichtnur
Dal 2005 al 2011 Florian Wittenburg ha sperimentato strutture sonore assai sofisticate ed astratte, incrociando strumenti elettronici virtuali, sample e droni dilatatissimi, dando vita a →
CD – Room 40
Sono quattro nel complesso le composizioni dipanate da Andrea Belfi – con Giuseppe Ielasi a mixare e masterizzare il tutto – condotte abilmente grazie anche alle collaborazioni di →
