Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
10” vinyl transparent – Tonometer
Christian Skjødt in questo progetto, nato inizialmente come installazione sonora realizzata per un deposito vinicolo del XVIII secolo nel giardino botanico di Riga, trae ispirazione dal contesto site-specific, evocando tutta l’energia del luogo – proveniente →
CD + book – Aagoo
Per molti compositori contemporanei e soprattutto negli alvei della sperimentazione più tendenziosa e concettuale, dopo la sbornia audio-video tra la fine degli anni novanta e le prime due decadi del Nuovo Millennio, sembra adesso essere →
CD – Touch
Da Yann Novak, artista, compositore e curatore che abbiamo più volte segnalato su etichette quali Murmur, Hibernate ed Estuary – fra quelle che ci sovvengono – e che in passato ha pubblicato anche per la sua →
Bouncing balls provide an endless supply of fun and learning both within games of physical dexterity and through the study of elementary physics. But the capacity to either intuitively or mathematically predict the future trajectory of a spherical object is →
LP – SVS
A marchio SVS – etichetta fondata nel 2013 da Benedikt Brachtel & Daniel Hermann-Collini, un progetto focalizzato sulla realizzazione di residenze artistiche e di una piattaforma di visibilità per i partecipanti a questi appuntamenti – è →
LP – Warm
Mathias Delplanque e Guillaume Ollendorff si ripresentano sotto il moniker Ply – dopo Sans Cesse nel 2016 e Cluzel nel 2018, album entrambi, come pure quest’ultimo, a marchio Warm – e subito all’ascolto di “Le roi →
The mystery that envelops the creation and the existence of the Universe for how – so little – we know it, has over the centuries attracted the intellect and the imagination of people of all ethnic groups and religions. In →
Cassette – Crónica
C’è una parola giapponese, 間 (ma), che non è affatto agevole da tradurre in altre lingue. 間 è uno spazio negativo, il volume – anche irregolare – tra due parti o elementi strutturali. 間 è un intervallo, →
Living over-scheduled, over-busy lives, can we still be said to be sensitive to synchronicity? Apparently, yes, as being sensitive to all kinds of symmetries, including the aural ones, is more related to our biological nature, encoded in our DNA, than →
Cassette – Dinzu Artefacts
Ticchettii incalzanti, un costante ronzio di fondo, gong appena percettibili, sibili, frequenze trattenute, stridori metallici e altre tiepide ma egualmente sensibili emergenze auditive. Questo il campionario che v’aspetta all’ascolto della prima parte di G5, registrazioni →
