Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Normalmente esiste una percezione individuale della propria ombra? Che relazione si instaura fra il corpo e la sua proiezione nello spazio? Questo l’ambito che si propone di indagare Shadow Bag, un’installazione dell’artista newyorchese Scott Snibbe, →
Una scultura biodegradabile a disposizione di chiunque voglia contribuire a modellarla a distanza. Così si presenta Emailerosion, progetto concepito da Ethan Ham e Tony Muilemburg rispettivamente scultore e robotic designer dell’Oregon che hanno pensato e implementato →
Normalmente esiste una percezione individuale della propria ombra? Che relazione si instaura fra il corpo e la sua proiezione nello spazio? Questo l’ambito che si propone di indagare Shadow Bag, un’installazione dell’artista newyorchese Scott Snibbe, →
Una scultura biodegradabile a disposizione di chiunque voglia contribuire a modellarla a distanza. Così si presenta Emailerosion, progetto concepito da Ethan Ham e Tony Muilemburg rispettivamente scultore e robotic designer dell’Oregon che hanno pensato e implementato →
The second edition of the Piemonte Share Festival is taking place from 8th to 12th March at the Academy of Fine Arts in Turin, under the general topic of ‘Limitless’. After the 2005 edition →
Si tiene dall’8 al 12 marzo all’Accademia di Belle Arti di Torino la seconda edizione del Piemonte Share Festival, che quest’anno ha scelto come tema il ‘superamento del limite’. Dopo l’edizione 2005 che si →
Ci spiace, ma questo articolo è disponibile soltanto in English.
Check the transmediale photo gallery.
This year’s Transmediale, ran under the slogan ‘Reality Addicts’. As it has happened before throughout the history of the Berlin festival the focus of the event has shifted according to current →
Guarda la galleria di foto di Transmediale.
Essere Reality Addicts in una società fortemente mediata dalla tecnologia significa essere tecno-dipendenti. Ma se transmediale.06 è dedicata alle strategie artistiche che sovvertono il paradigma tecnologico della realtà, allora →
Check the transmediale photo gallery.
This year’s Transmediale, ran under the slogan ‘Reality Addicts’. As it has happened before throughout the history of the Berlin festival the focus of the event has shifted according to current →
