Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Every room has a story, every place has an emotional nature, that could be partially derived, but most of all explored and changed. This is the founding principle of the Crystalpunk Workshop →
Coniglio Editore – ISBN 8888833730 – The mail art network, self-defined as ethereal, had long conceptually anticipated the telematic one, and its own media (the postcard, the stamp and the rubber stamp) have been →
Entering the words ‘Florian Waldvogel’ into a Google search, the first listed result is an open letter entitled ‘Intellectual theft as a curatorial method‘. It is the attempt to reproduce the well known ‘miserable →
Starting from the very moment the camera has been placed side by side with the paintbrush with the task of representing the existent, the real has officially ended to exist as objective data. It →
Starting from the very moment the camera has been placed side by side with the paintbrush with the task of representing the existent, the real has officially ended to exist as objective data. It has been →
Dreamlines by Leonardo Solaas is, in its own author’s words, a non linear visual interactive experience. The work is made with the integration of an inner part (the web, that contains all the information) and an →
According to Pasolini, ‘we don’t have a body, we are a body’. Accepting this principle, in a society that traditionally tends to separate mind from body, would change both the social and the linguistic →
Dreamlines by Leonardo Solaas is, in its own author’s words, a non linear visual interactive experience. The work is made with the integration of an inner part (the web, that contains all the information) and an →
Media art, in all its meanings, has always been considered an hard topic to exhibit on. On the one hand problems of taxonomy (what is media art?), on the other its digital, ephemeral, interactive nature, have →
Media art, in all its meanings, has always been considered an hard topic to exhibit on. On the one hand problems of taxonomy (what is media art?), on the other its digital, ephemeral, interactive nature, have →
