Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
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31.10.01 Ligaçoes/Links/Liaisons.
È in corso a Oporto, in Portogallo, Ligaçoes/Links/Liaisons una conferenza internazionale di cybercultura a cui partecipano oltre a numerosi studiosi locali dell’estetica dei media anche →
.emusic
30.10.01 Strumenti giocattolo modificati.
Carrionsound è un sito dedicato all’hackeraggio ‘hardware’ di giocattoli e piccoli strumenti per bambini, al fine di dotarli di ulteriori peculiarità sonore riconfigurandoli →
.hacktivism
30.10.01 Pubblicità anti-privacy.
“3 di loro usano software illegale, 1 di loro è un hacker, 1 di loro spende due ore al giorno giocando online, 2 di →
.emusic
30.10.01 Digital Media Festival nelle Filippine.
Si è da poco conclusa a Manila, nelle Filippine, l’edizione 2001 del Digital Media Festival, una rassegna di arti digitali ad →
.hacktivism
30.10.01 Codice di Carnivore online.
Network Ice, software house che produce prodotti per la sicurezza ha pubblicato sul suo sito una versione alternativa e free di Carnivore, →
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30.10.01 Eighth day, net.art transgenica.
È online e fisicamente visibile presso l’Institute for Studies in the Arts, dell’Arizona State University, Eighth Day →
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29.10.01 Interaction 01.
È cominciata negli scorsi giorni al Softopia Japan Center di Ogaki City (Giappone) The Interaction 01, dialogue with the expanded images, una conferenza biennale, →
.hacktivism
29.10.01 Linee FBI agli ISP per spiare le email.
Secondo il National Journal’s Technology Daily l’FBI starebbe mettendo a punto una serie di linee guida che costringerebbero →
.emusic
29.10.01 Musica stampata, musica digitale.
La J.W. Pepper & Son, Inc., il maggior rivenditore di musica stampata (spartiti, partiture, accord, ecc. ecc.), ha aperto il suo E-print, →
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29.10.01 Digitized Bodies/Virtual Spectacles.
Si è inaugurata da qualche giorno al Ludwig Museum di Budapest (Ungheria), ‘Digitized Bodies/Virtual Spectacles’, un’evento costituito di mostre e conferenze sulla trasformazione →
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29.10.01 A letto per la pace.
In protesta contro gli eventi accaduti negli USA e in Afghanistan gli artisti neozelandesi Amy Berk e Andy Cox sono stati →
– Venerdì a Carrara
.mostra di fotografie di John Cage (nell’immagine).
– Venerdì a Roma, al centro sociale Brancaleone
.dj pacou + dj namito, techno, .de
– Venerdì a Roma, agli ex magazzini →
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26.10.01 Underscore.
‘Under_score: Net art, Sound and Essays from Australia’ è una mostra organizzata dalla BAM (Brooklyn Academy of Music) di New York. Nove sono gli artisti →
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26.10.01 Playing by the rules.
Oggi e domani al Museum of Contemporary Art di Chicago (U.S.A.), Playing by the rules, the cultural policy challenges of video games, →
