Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
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15.11.01 Digitales, net.art al femminile.
All’Interface3 di Bruxelles (Belgio) è in corso Digitales, una tre giorni di meeting, dibattiti, workshop e mostre sull’uso liberatorio e proficuo delle →
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15.11.01 ARTificial Natural Networks.
ARTificial Natural Networks è un’esposizione online di undici lavori di ‘land-art’ appositamente commissionati da questo progetto. Le diverse opere realizzate a Zeewolde, in →
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14.11.01 The Lair of the Marrow Monkey.
‘The Lair of the Marrow Monkey’ è un’opera di net.art costituita da una narrazione interattiva di Erik Loyer che si →
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14.11.01 Musica interattiva.
Lo Universal Music Group sta per lanciare una nuova versione interattiva di alcuni suoi titoli denominati ‘Mixable CD’ che permetterebbero all’utente di giocare a →
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14.11.01 Media Space.
Da oggi fino al 18 novembre si svolge alla Filmhaus di Stoccarda (Germania) Media Space Ð Media in Space/Space in Media, una serie di →
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14.11.01 L’Internet che non si vede.
I risultati di una ricerca triennale condotta dalla Arbor Networks sulla raggiungibilità degli indirizzi di Internet sono a dir poco inquietanti. →
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14.11.01 Artbyte passa al web.
Artbyte, il bimestrale newyorchese di arte digitale e cultura dei nuovi media, dopo tre anni di vertiginoso sviluppo è in crisi di →
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13.11.01 Per gli USA arrivano i superassalti informatici.
Secondo Richard Clarke, il consulente speciale per la ‘cybersicurezza’ del presidente degli Stati Uniti George W. Bush, i futuri →
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13.11.01 QDC.
S’inaugura stasera alle 18:00 presso la Galleria Comunale dÕArte Moderna e Contemporanea di Roma ‘Quadro Digitale Contemporaneo‘ un progetto che raccoglie opere dei tre artisti →
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13.11.01 Bisogno di nulla.
What You Need? è un opera di net.art di Tuomo Tammenpää, un media artist di Helsinki autore del lanciodi un’azienda ‘satirica’ che non →
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13.11.01 Futuresonic.
Si svolge a Manchester (Inghilterra) come ogni anno l’edizione di Futuresonic ‘festival of sonic pleasure and audiovisual arts’, che in sei giorni mette a pieno →
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13.11.01 Datatransfer.
Da ieri si tiene all’Archa Theatre di Praga (Repubblica Ceca) Datatransfer, festival di cyber cultura, internet, design e performance, dedicato alla scena ceca arricchita da →
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12.11.01 Webtracker che spiano.
Per ‘Web trackers’ s’intendono quelle tecnologie software che sono state disegnate per tracciare le abitudini al fine di programmare relative opportune azioni di →
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12.11.01 Protetto il cd di Natalie Imbruglia.
Il nuovo album di Natalie Imbruglia ‘White Lillies Island’ è il primo cd protetto nella sua release ufficiale per il →
