Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
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19.02.02 Conferenza di Stelarc in webcasting.
Oggi (19/02) alle 19:30 sarà attivato il webcasting della conferenza dell’artista greco-australiano Stelarc alla Art School di Frankfurt-Offenbach. Il tema affrontato →
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19.02.02 Possessed, fenomeni digitali inspiegabili.
A chiunque prima o poi è capitato di ottenere errori inconsulti o inspiegabili dal proprio PC, comportamenti che esulano da ogni logica, →
.hacktivism
19.02.02 Peek-A-Booty, navigazione anonima per tutti.
Peek-A-Booty l’applicazione per l’anonimato in rete del collettivo di hacker Cult of Dead Cow è stata ufficialmente presentata al Codecon 2002. →
.hacktivism
19.02.02 Peek-A-Booty, navigazione anonima per tutti.
Peek-A-Booty l’applicazione per l’anonimato in rete del collettivo di hacker Cult of Dead Cow è stata ufficialmente presentata al Codecon 2002. →
.emusic
19.02.02 Club Culture su Virgilio.
Virgilio, uno dei siti italiani più seguiti ha dedicato uno speciale alla club culture, con itinerari incentrati su diverse sezioni (artisti, album, →
.hacktivism
18.02.02 RSA Conference dedicata a Mary Queen of Scots.
La RSA Conference 2002 è stata dedicata a Mary Queen of Scots (Maria la sanguinaria), che accusata di →
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18.02.02 (re:)distributions, arte per PDA, ultimo update.
(re:)distributions, il catalogo online di opere elettroniche per PDA (palmari), telefoni cellulari e dispositivi portatili, comprensivo di saggi e valutazioni →
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18.02.02 Danza e tecnologia (2): Latitudes.
Latitudes è una coreografia di Molissa Fenley pensata per poter essere fruita tramite pagine web, con diverse notevoli intuizioni. Commissionata dal →
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18.02.02 Gnomad 1.0.
Gnomad 1.0 è una interfaccia grafica per Linux utile per gestire l’mp3 player Nomad della Creative, capace di gestire efficacemente anche le procedure di →
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18.02.02 Danza e tecnologia (1): Activating the medium.
Al Museum of Modern Art di San Fransico (U.S.A.) è in corso Activating the medium, un festival di sound →
.emusic
15.02.02 Sistemi di altoparlanti e tecniche di spazializzazione del suono a Milano.
Domani pomeriggio (16/02) alle 15:00, al LOA Hacklab di Milano, si terrà l’incontro ‘Sistemi di →
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15.02.02 l[inguistic] system, net art letteraria.
‘l[inguistic] system‘ è un software sperimentale in php che applica algoritmi di crescita morfologica ricorsiva a strutture linguistiche di narrativa scritta →
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15.02.02 Infrasonic Soundscape.
Infrasonic Soundscape è un progetto di geografia sonora realizzato dal giapponese Hidekazu Minami, che contestando la supremazia visuale rispetto a quella acustica ha articolato →
.hacktivism
15.02.02 CodeCon 2002.
S’inaugura oggi al ‘DNA lounge’ di San Francisco (U.S.A.) il CodeCon 2002, una serie di workshops che in tre giorni raccolgono gli sviluppatori più →
