Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
.hacktivism
25.02.02 Database contro le censure su web dell’EFF.
Un’altro encomiabile sforzo dell’Electronic Frontier Foundation ha portato alla creazione di Chilling Effects Clearinghouse, un sito che vuole archiviare →
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25.02.02 Bureau of Inverse Technology in webcast.
Qeusta sera alle 19:00 nell’ambito di Hybrid Discourse, un serie di eventi sull’impatto culturale dei media digitali, ci sarà il →
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25.02.02 217.174.192.66, net art temporale.
È stato presentato ieri negli uffici di The Thing a New York ‘217.174.192.66‘, un progetto commissionato da →
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25.02.02 Interview, net art letteraria (2).
‘Interview‘ è l’elaborazione net.letteraria di Marius Hartmann che, sulla falsa riga di l[inguistic] system (vedi l[inguistic] system, net art letteraria.) prende →
.hacktivism
22.02.02 Tute Arancioni: pink slips e Net Charta.
Dopo la manifestazione pubblica, con un’adesione massiccia, i lavoratori in pericolo di licenziamento di Virgilio non sono restati con →
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22.02.02 Qrime, flash video efferati.
Otto video in flash implacabili nel descrivere efferatezze dell’umana violenza costituiscono la struttura di ‘Qrime’ del Motomichi Nakamura, un’opera in più capitoli →
.emusic
22.02.02 MuSE, seminario al LOA.
Domani (23/02) alle ore 15:00 al LOA hacklab di Milano, Jaromil presenterà la versione 0.7 prerelease 1 di MuSE, il free software →
.hacktivism
22.02.02 Mitnick incontra una sua vecchia vittima.
Dieci anni dopo ci sono state strette di mano e risate fra Kevin Mitnick e Shawn Nunley, l’impiegato della Novell →
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22.02.02 Desert Rain, installazione per ricordare la Guerra del Golfo.
Oggi viene presentata a Praga (Repubblica Ceca) Desert Rain, un’installazione realizzata grazie ad una collaborazione fra il →
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22.02.02 Giovane arte digitale a Linz.
Domani sera (23/02) alla Bruckner House di Linz (Austria) si tiene Bruckners Club un incontro di giovani artisti digitali e musicisti →
.hacktivism
21.02.02 Microsoft Media Player 8 registra le attività degli utenti.
Il lupo perde la versione vecchia, ma non il vizio. La nuova versione (la 8) del Microsoft →
.emusic
21.02.02 Royalties radio online + Technoseeker.
– La battaglia a tre fra etichette, radio tradizionali e radio online degli Stati Uniti sui diritti d’autore sembra essere arrivata →
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21.02.02 Singlecell, forme di vita artificiali.
Singlecell, la galleria mensile di lavori di net art ha sospeso gli aggiornamenti a dicembre scorso promettendo una nuova serie di →
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21.02.02 Net art italiana: Limiteazero.
Limiteazero sono un gruppo italiano di designer, residenti a Milano, che passa parte del proprio tempo a provare nuovi modelli d’interfaccia e →
