Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
.hacktivism
28.08.02 Carta d’identità genetica introdotta in Cina.
La prima ‘genotype ID card’ è stata rilasciata nello Zhongnan Hospital Gene Diagnostic Center della Wuhan University, ed è in →
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28.08.02 Computerfinearts, nuovi lavori di web art.
Continua l’acquisizione di nuovi lavori di web art da parte dell’organizzazione newyorchese Computerfinearts. Ora nella sua collezione sono fruibili: ‘Memory.mil’ →
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28.08.02 5k, l’arte in poche righe di codice.
Essere creativi oggi sembra implicare necessariamente l’impiego di costosi ausili tecnologici. Il media-hype ci ha abituato →
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23.08.02 The Pleasure of Language.
La trasformazione del linguaggio scritto, o meglio composto tramite una tastiera, è stata rapidissima negli ultimi anni, in cui la quantità di →
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23.08.02 Progressive Load, la progressione visiva.
La forza di alcune metafore può essere notevole se unita a pratiche popolari e ad immagini e sequenze familiari. Questo sembra →
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23.08.02 Information Guerrilla, subire diffamazioni estive.
Dopo aver pubblicato un articolo che ha diffamato i siti d’informazione indipendente Information Guerrilla e Indymedia (definiti come siti “dell’eversione sul →
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23.08.02 The Interaction of Coloreds, il colore della pelle di chi guarda.
Da poco incluso nell’Artport del Whitney museum ‘The Interaction of Coloreds‘ è un lavoro di →
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23.08.02 Esperti di sicurezza dimostrano la vulnerabilità dell’IT militare USA.
Alcuni esperti della ForensicTec Solutions, una giovane società di consulenza sulla sicurezza informatica, ha avuto accesso a →
.emusic
23.08.02 Delay Lama, un monaco artificiale che canta in sintesi per salvare il Tibet.
Realizzato dal collettivo olandese AudioNerdz, Delay Lama è uno strumento VST per Mac →
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22.08.02 Web Racket, web art della narrazione.
Inaugurata al DeCordova Museum di Somerville (Massachusetts-USA), Web Racket è una mostra di cinque progetti di web art che giocano →
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22.08.02 Venus Hill, flash film della generazione post-mtv.
Con anni di videoclip e spot negli occhi, l’attuale generazione di artisti digitali si trova a proprio agio con →
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22.08.02 Timescape, il flusso d’immagini in rete.
Timescape è un’altra opera di net art di Reinald Drouhin incentrata sui flussi dei pixel visivi in rete (vedi Rhizomes, →
.hacktivism
22.08.02 RoadSafety, black box per controllare i giovani guidatori.
Larry Selditz, ex combattente in Vietnam, è il fondatore della RoadSafety un azienda che vende scatole nere a →
.emusic
22.08.02 Demo del libro ‘Il Suono Virtuale’ online.
È disponibile online una demo del libro ‘Il Suono Virtuale, sintesi ed elaborazione del suono – Csound Tutorial‘ di →
