Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
CD – Hibari
‘Come puoi credere a qualsiasi cosa essi ti dicano?’, questa la prima riga di testo dopo i battiti, tamburellati su di un tavolo, su una tastiera o cos’altro, nelle registrazioni →
CD – Minus Habens / Family Affair
Elettronica ed acustica, sonorità che qui sanno evolvere in maniera assai intima, lirici passaggi ai quali si sovrappongono field recording ed attitudini improvvisative riportate →
miniCD – Korm Plastics
Riadattamento di Peter Rehberg del primo workshop (e concerto) Kapotte Muziek tenuto nel Settembre 1997, all’origine studio-project di Frans de Waard, basato proprio sulla manipolazione di ‘scarti’ sonori, →
Durante tutto il ventesimo secolo la società occidentale è stata dominata dalla macchina. Il fascino esercitato sugli artisti dalla bellezza e dal potere dei processi meccanici ha stabilito un dialogo costante tra creatività →
CD – Adnoiseam / Goodfellas
Strani ibridi frutti quelli del breakcore, cresciuti proprio dall’innesto di sensibilità assai difformi (che portano ad esempio agli esiti di un artwork ‘art noveau’), sonorità in questo →
3″ CD – Hibari
Ci vuole orecchio. Se davanti ad un Mike Bongiorno attonito, John Cage, invitato come esperto in funghi a partecipare al programma televisivo →
CD – Ajabu/Family Affair
Ritmi raffinati di matrice groove inclini anche a influenze minimal, brandelli di jazz, suoni live innestati su cospicue basi programmate, eclettismo che non vogliamo certo catechizzare come inconsapevole. →
CD – Nexsound
In occasione del loro quinto anniversario di concerti, i Perlonex (trio elettroacustico fondato nel 1998 e composto da Ignaz Schick, Jorg Maria Zeger e Burkhard Beins) hanno ben pensato →
CD – Strange Fortune
Una produzione elettronica ricca di raffinate texture, sonorità dilatate ed atmosfere sognanti, cinematiche, grazie soprattutto alle melodie iterate che fanno capolino fra strane voci e droni meditativi. Inviluppi →
CD – Touch
Stridulo, inquieto vociare dei gabbiani prima della tempesta, naturali ma allo stesso tempo aliene sequenze sonore, segnali d’un cambiamento climatico significativo, amplificato nella fedele registrazione degli →
