Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
303 Infinity è l’ultimo degli artisti di successo assurti in tempi rapidissimi nella hall of fame di mp3.com. Un po’ come Darude (vedi Neural 17), Mikel Fair, un ventisettenne di Houston, supervisore tecnico presso la Compaq Computer, →
Per Scour Exchange dopo la dichiarata bancarotta, sembra prospettarsi un futuro simile a quello di Napster, ossia di distribuzione controllata di tracce licenziate e protette dal diritto d’autore. Frank G. Hausmann, CEO di CenterSpan, la società che →
– Venerdí a Milano al Pergolatribe (via A della Pergola 5)
.Storm (UK)
– Sabato a Bologna al Link (via Fioravanti)
.Rodion live + Tluk live (Resonant Recordings Roma)
– Domenica a Firenze →
Lo Universal Music Group è stato accusato dalla National Music Publishers’ Association di aver permesso la tramissione di brani senza alcun consenso da parte degli autori sul sito di Farmclub.com. Fra i brani in questione ci sono: →
Altri due servizi collegati al webcasting sono stati inaugurati negli USA. Buzzhits e StarCD consentono all’utente di identificare all’istante il brano trasmesso su una delle stazioni trasmesse attraverso il loro sito e di acquistare contestualmente il CD →
Secondo un’indicazione emessa l’11 dicembre dal Copyright Office, le radio che ritrasmettono le loro trasmissioni online devono pagare due volte i diritti d’autore. La decisione è stata caldeggiata dalla Digital Media Association, che rappresenta grosse emittenti che →
I Rage Against The Machine, attraverso il chitarrista Tom Morello, si scusano con gli utenti che si sono visti impedire l’accesso a Napster (con un messaggio che recitava “Denied Access By Sony/Rage_Mach.”) dopo aver scaricato l’ultimo album →
Riffage.com, una delle prime label online, ha chiuso i battenti. Lanciata nel luglio del 1999 aveva ben presto acquisito un ruolo importante nel panorama dei siti che permettevano di scaricare propri brani e di vederli poi valorizzati, →
Emusic, la più potente etichetta online, ha concluso un accordo con la National Music Publishers Association. per integrare servizi in in streaming da offrire ai suoi utenti. Anche mp3.com ci aveva provato, beccandosi, però le citazioni degli →
Si inaugura oggi a Parigi ISEA 2000, decimo International Symposium on Electronic Art. Fino al 10 dicembre un fitto calendario di presentazioni, seminari e mostre coinvolgerà la capitale francese. Fra i nomi presenti: Marita Liula, Eduardo Kac, →
