Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
CD – FF`Space
Hectic Truer is a beat-orientated electronic project by Yu Miyashita, aka Yaporigami, a Japanese artist who has been active since 2005. The artist has a total of ten different releases to his name (both EPs and albums) on various labels, including the famous Detroit Underground. His latest effort, presented with a beautiful generative-constructivist artwork by Ukrainian digital artist Andrey Yamkovoy, was crafted soon after the release of an album called “Hertzian” on Hz-records in 2012. The work reflects on the artistic process of taking sound into challenging techno-experimental areas that still survive in a standardised market. The sounds encountered are refined, complex and architectural, built on the idea of basic archetypes that come to life during the process of listening, with vivid continuous structures and rhythmic layers in a continuum of great sound design. It isn’t the first time (nor will it be the last) that an experimental producer changed direction to embrace techno, but here it is almost as if it were a mechanical imposition – a crossover that shouldn’t be accused of opportunism. Fragmentary randomness has inspired glitch sounds, rhythmic pulsations, creepy patterns and vibrational spasms. However, the transformation of the original treatment has the effect of a sophisticated hybrid that involves many different elements: not just a techno mix, but something much more complex and engaging.
Yaporigami – 2015. A Hectic Truer (Preview) [FF’ Space]
