Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
S’inaugura il 24 febbraio a Torino il primo Piemonte Share Festival, festival di nuovi media organizzato dall’associazione culturale Sharing, che in vari luoghi della città ha scelto di affrontare il tema ‘wave’, inteso come flusso culturale generato attraverso le tecnologie digitali. Per quest’edizione l’attenzione è stata focalizzata su un paese ospite, il Brasile, attraverso una rassegna di videoarte, poesia concreta e installazioni fra cui quelle di Giselle Beiguelman, Lucas Bambozzi e Luis Duva Altro tema centrale quello dei videogiochi con una vasta raccolta di opere fra cui quelle di John Klima, Mauro Ceolin, Jeremiah Johnson alias nullsleep, Josh On, Martin Le Chevallier, Carlo Zanni, Brody Condon, Jodi, retroyou, Josephine Starrs & Leon Cmielewski. Fra le conferenze ci sono ‘Net.Art, l’utopia allo sbaraglio’ con Roberta Bosco e Stefano Caldana, ‘Gamescenes’, sempre sulle diverse sfaccettature dei videogiochi, ‘Art-Marketing (Fottere il mercato per entrarci)’ con Luca Lampo degli epidemiC e Guerrillamarketing. Fra le performance, invece, ‘POL’ di Marcel.lì Antunez Roca, già presentata ad Ars Electronica nel 2003, una piece teatrale con robot meccanici e una narrativa inqiuetante, e ‘Blogrodeo’ sulla scrittura ipertestuale, oltre ad una proiezione dei lavori della Scuola d’Animazione del locale Centro Sperimentale di Cinematografia. Fra i concerti, infine, vanno segnalati: una session con il creatore di Nanoloop Oliver Wittchow, i polacchi Gameboyzz Orchestra, il nuovo ensemble audio/video Pirandèlo, e il progetto ‘Stare Mesto’ degli Otolab.
