Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
The mobility of devices and wireless technologies is slowly triggering an afterthought conscious of the territory thanks to the different coordinates testable by their use. Pre / amble , is a festival of art and psychogeography held on 1 and 2 November to the Western Front Artist Run Centre in Vancouver. The stated objective is to explore the city through the territorial effects of the environment on the behavior of individuals, through a series of collective performances, conferences and actions that pass through the city. Curated by Kate Armstrong thought the event is presenting a series of projects that directly involve the audience by their very nature. Among these are: 'Driving as Micro Tactic' Julie Andreyev, who has the ability to insert images in the public space vehicles using audio / visual projections and active, 'Ping' the same Armstrong, a navigation system induced in the physical space through a network of mobile phones, 'audioMobile' of Artist Run Limousine, a concept similar to Teletaxi , but with only audio data, 'Peripatetic randomiser' Jim Colquhoun, which creates random locations within the city, 'Rational Structures, Broken Conventions 'Robert Ladislas Derr, which makes use of public facilities (bridges, gates, corridors) in non-rational mode, and the now classic' Human Scale Chess' of Sharilyn Neidhardt in which a real game is conducted by people who pass from one block to another, taken as a chessboard. After Psy-Geo-Conflux and RealTime , Pre / amble is another strong signal of the need to reconfigure the urban spaces in tune with the new spatial perceptions and emotional permitted by a different approach to the same and contemporary spaces.
