Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
Arteleku Audiolab, ISBN 978-8479086221, Spain, 2009, English
This book is an exception to the rule that a product can be judged from its price. It is free (either downloading it or trading a printed copy) and it sports professional editing, graphic design and production. But it seems just a direct consequence of the challenge to properly face such a topic. Noise in music has been usually treated for its specific and problematic way of approaching composition (except for the seminal book “noise” by Jaques Attali from which this text seem to stem and flourish), and its ability to reflect the very edge of our time. This work looks at the political role of noise in the market, reconstructing the genre through a series of essays describing different music dynamics, while representing a clear act of resistance. This kind of resistance involves not only “assuming risks” about musical stereotypes and the markets surrounding them, but also affects the act of performing, production and distribution. Produced by the Basque Arteleku institution and its active Audiolab, the book can ideally be accompanied by the CD, “Gezurrezko joera” by Jean-Luc Guionnet, a perfect complement to the theory, with another peculiarly split and non-harmonic classic organ performance by the artist. Finally, it would be useful to point out that the only way to get this book is a distribution by trading. Creative people can request a copy by sending a sample of their work (that will be hosted in the Arteleku library) or by writing a critical response to the book (after downloading the free pdf file).