“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
If there’s one intended victim of the decaying copyrighted music game it is classical music. A great amount of classic music should be totally free, because its copyright expired a long time ago, but very few recordings of this kind of music are in the public domain. The founders of Musopen want to achieve the goal of recording and eventually also obtaining recordings with no copyrights, in order to build a musical commons that would be easily shared, listened to and re-used. This effort is governed by a certain quality control, in order to make it worth placing in the public domain. It’s a new type of “donation” that triggers access to a vast music sector. All the music uploaded is also randomly streamed through a “radio” channel. Furthermore there’s a collection of many sheets of music that would facilitate the free recording call, and finally there’s also a project about writing a collective Music Theory Textbook.