“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
2CD – Hibari
Harsh digital sounds intertwine with improvisations structured as a percussive matrix. With audio-abuse, distortions and an extreme use of the human voice, Tim Goldie severely tests both the taste and analytical skills of those less accustomed to radical electronic and experimental music. The double release album ‘Abjector’ establishes the noisy nature of its project early on. The first CD, ‘White Peristaltic Interrogations’ consists of bursts of pure, striking energy, diluted only by occasional free-form flow and silence. The work generates auditive elements that appear to shun any method, while maintaining an overall sense of being self-organized. The second part of the record reveals no diminution of style – it too provokes a genuine insurrection of the senses. ‘Devocalised Fluchtverdachtiger / Blocksperre Refluxur’ brings an abundance of excesses, including hisses and strident frequencies, a hyperbolic industrial mix and mechanical digressions in sound. The approval-rating of this record will be controversial but it sports undoubted strength and stylistic charm.