Eternal September, the rise of amateur culture exhibition at Aksioma, curated by Valentina Tanni. From internet folklore to the deja vu “on the screen” an exploration of “amateur culture” quickly corroding certainties. http://www.aksioma.org/eternal.september/index.html
People are used to the sound of skin played by percussion instruments. Most of them consist of at least one membrane (skin) that is stretched over a shell and struck, either directly with parts of a player’s body, or with some sort of implement, to produce sound. But what if the skin is human? Percussion denotes the collision of two bodies producing sound. Then what if both the two colliding bodies are human? This scenario is not a morbid fantasy but the core of the latest Daan Brinkmann’s creation: Skinstrument. It’s a musical instrument that can be played by two or more people. It works using skin resistance as a parameter to generate sound. Perceiving a subtle, almost imperceptible flow of electricity players become part of a circuit, and touching each other’s skin the circuit starts to trigger a sound generation. It’s crucial then that the touching intensity determines the sound frequency. So the electric tension is not only translated into sound but also into sexual tension, ironically inspired by the shape of the instrument that resembles a breast and instinctively generated by the touch of other people’s skin. The result is an unpredictable choreography based on human interaction.