Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
12.03.04 Looptracks, the flow representing the sound.
The sequencer represented the sequential visualization of a musical score by highlighting its components. In a perfect time succession with its concept of the sound flow, implemented by techno music and its execution, it has brought together the need to produce music by means of a software interface and the mindframe of electronic musicians and their style, made of structures and layers. Looptracks, by Conor O’ Boyle, is a cinematic tool, made with Flash, which exploits the flow as an execution parameter, graphically visualizing the sounds with a stylization of their characteristics (waveform, amplitude, volume), allowing the user to move through the different environments, where the different samples/animations move rapidly with the colour transitions. It’s a tool against the silence and for transitions, contemporaneity and gaps which change the chromatic and musical experience according to the set.