“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
From the author of iCommune was released these days 401 (k) , a freeware patch for iTunes that 'solves' the restriction on the free exchange of files contained on the playlist, imposed by Apple in this update. It took a few days for someone with the appropriate software aggirasse an annoying (and annoyed) position taken by multinational pressure on the major music companies, even after implementing the first successful platform for the sale of music tracks online. It occurs once the issue of free trade that it is virtually impossible to stop because it depends almost exclusively on software, which is also infinitely adjustable, with the only limit of intellectual creativity of programmers. As evidence of this the author of 401ok included accompanying a linear explanation of the method used and well detailed and elementary instruction set appropriately iTunes to restore its exchange capacity.