Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
. Art 
19:04:02 Dataland, where memories are date code and behavior is.
Dataland, where memories are date code and behavior is is an online exhibition of six Canadian net art projects specially commissioned, seeking to transform the constructs technical personal reflections on concepts such as identity, history, relationships, community, and social control. In 'intimacy machines: the entity', as example, Myfanwy Ashmore, trying to highlight text through emotional impacts, with the respective interactions, the fragility of relationships and the desire for stability behind. In 'Evolution of the Ideal Man' by Leif Harmsen, however, investigates the creation of a perfect specimen of the human male, in a sort of 'construction kit' that builds from the user's wishes, and genetic manipulation of imaginary . In 'asdf' Michelle Kasprzak you are struggling with an online search to trace the transformation of the sites over the years, trying to make an analysis result of the code that composes them to outline the trends followed over time. In 'Choise Maps' by Michael Alstad is celebrated another multinational fictitious purporting to show you the path to follow in his future, on the basis of predetermined choices and advice based on his archive of Cultural Human Value System Codes (vMEMES) while 'album: a memory archive' Lisa Vinebaum is created an intimate space for the memory of the Holocaust through family photos and testimonies retroactive. In 'The Pasquino Project' by Marc Böhlen and Natalie Tan, finally, automates the writing of criticism of the system of government vompilate with the same irreverent spirit that animated the citizens of Rome in 1500, who wrote (so-called lampoons) and apponevano on the statue Greek marble in his homonymous square.
