Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Interview conducted during Ars Electronica in James Patten and Ben Recht on their work Audiopad .
Edited by Angela Serino.
How does your work, from a technical point of view?
J: →
Shake Edizioni, ISBN 88-86926-79-0, 196+cd, Italiano, Italy,
‘Reasoning for not but metaphors for metamorphosis. ‘
‘Zut has become most perfect, most perfect is to become Zut.’
‘Radio Alice is a test, one of the many’, aired in the ether, in →
Products by ED Video Media Arts Centre in Guelph (Ontario-Canada) the first four works on web series Triangulation respond to the theme 'probing into the distance', developing conceptually and practically handling the 'mapping', understood as the →
Developed under the GPL for Linux, MacOSX and Windows, Stepmania is a video game music, one of the few, manages to move throughout the body of the player you must follow the directions of movement in →
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14.10.03 Molecular Media Project, distracting digital data.
Some substances can rearrange the usual binary mechanisms of digital machines, such as Polyaniline (a sort of organic dust with →
Video hype at all costs (video-blog, real-time videoconferencing, web-cam and videophones), there are few who are devoting sufficient attention to audio, with weight characteristics of the transmitted fully manageable and immediate usability. The project Uphone , →
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09.10.03 Teletaxi, works sensitive to territory.
Urban territory, in the last years, is dealing with its data mapping, a thing which is contributing to redefine it and →
If any network is made up of all its nodes, a site is a function of its visitors. In this sense, the access statistics represent a mirror of the eyes that look at him, the detection, →
The construction of a navigable space in a sound is the origin of different installations and video games, and is conceived as a place where some resonant elements can mark the →
One Word Movie Beat Brogle is a project that takes advantage of the increasingly large and available corpus of visual data stored in the network in search engines, producing an animated artifact. The user is only →
Linguistic conventions of the underground has always been disrespectful towards the stringent rules of the spoken and written language, blind and deaf to its possible manipulations and mutations, resulting in the creation of new meanings. Defined →
After two events in recent days have seen the exhibition of Plastikman and the performance of dance-music-media Cosimi / Lippok, begins on October 1, Dissonance, festival of electronic music and digital art dedicated this year to →
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08.10.03 Dictionary of Primal Behaviour, interjections.
Dictionary of Primal Behaviour, interjections is a work which catalogues exclamations, utterings and various other vocal interjections and compiles a real →
Political interventions in public spaces are often designed as a reappropriation of the same, from a visual point of view, now almost fully contracted corporate communication. Actions in these areas widely visible to the public represent →
