Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
The representation of content via ASCII characters can go beyond mere aesthetics low-tech, even with all the signicati that it brings with it. In Text recontextualizer the collective Eidolon a specified image can be coupled to →
Sbeat is a tool for musical composition that applies to sound the same techniques of genetic programming and 'simulated breeding' already present in sbart where they were applied to the graphics. This software, made by the →
More of the brutal hacking techniques could practice and social distraction. John Hargrave has put online Credit Card Prank , his personal practice regarding the use of personal credit cards. This research concerns individual actually one →
CyberInfinity is a software originally written as a step in the making of LifeGrabber, and it applies artificial intelligence techniques to the visualization of music. The wave files are loaded one after another and visualized as they →
Headquartered in London, but is also active in Berlin and Los Angeles, the collective A-Clip creates interference in the star system independent of commercial cinema. A-Clip offers pills film in which artistic expression and political opposition →
When the Western consciousness is ready to rework the tragedy of 11 September 2001? If the media hammering of those days triggered a process of estrangement from overload of such sequences proposed again countless →
– Friday 6, Saturday, June 7, 2003 in Nizza Monferrato (Asti), 'Tora! Tora! Festival 'with Giorgio Valletta & Sergio Ricciardone.
– Friday, June 6, 2003: 'Public Art in Italy – space relations' at the →
'Art automatic network', seems to be the most appropriate definition of this software that modifies some abstract images based on the IP numbers of the patrons. ipPainting , in fact shows the opening page of colored →
Holland is a country where the growth of new media has been going hand in hand with constant social and political initiatives. Particularly in Amsterdam, since the beginning of the Nineties, there have been many interesting initiatives →
From the author of iCommune was released these days 401 (k) , a freeware patch for iTunes that 'solves' the restriction on the free exchange of files contained on the playlist, imposed by Apple in →
dvd video – Carpark
Yoshi Sodeoka, with his ‘c404’ handle, is among the artists who prefer experimenting on the fringe of the ‘official’ electronic art exhibitions. He’s got a very peculiar and recognizable →
Open Cultures, free flows of information and the politics of the commons is an intense two days of conferences, exhibitions and workshops, in progress at the Project Space Karlsplatz in Vienna June 5 to 6. The →
It still makes sense in a magazine on paper with the theme electronic music with new and exciting features it offers online information (real-time updates and links to labels, shop and artists, →
Yoshi Sodeoka, with his ‘c404’ handle, is among the artists who prefer experimenting on the fringe of the ‘official’ electronic art exhibitions. He’s got a very peculiar and recognizable style. #41, Colors, Television Microwave And Ghost →
