Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Although there are many who remember 'Alone Again' in 1992 as the first sensational case of unauthorized use of music samples, in which s'ingarbugliarono De La Soul / Biz Markie against Gilbert O'Sullivan, who was ten →
Nobodyhere.com is a work that dates back to 2000 the Dutch artist Jogchem Niemansverdriet, that in the simulation of a human presence makes an interface so intuitive as it is universal in the figure stylized and →
Googlehouse is the latest in a series of artifacts that target the search engine has spread in the habits of users as a standard, and often perceived as one ordered dump much of the material on →
A pragmatic criticism, sometimes cynical and unscrupulous can be healthy to put your feet on the ground after getting settled into utopias tecniciste. The standard wi-fi as it is increasingly referred to as the guarantee of →
The craftsmen of pop pass sleepless nights, but the sonic textures that characterize the most played songs are identifiable and decontestualizzabili automatically. After the lesson inflicted by the phenomenon of bastard pop , able to separate →
Automatic generation of textual artifacts is always the basis of the rules that govern its operation, but also attest to the programmatic intentions of the author, that this encoding literally his poetry. Darwinian Poetry of David →
The Mit Press, ISBN 0-262-57168-4
This update of a historical book on digital freedom restates a historical perspective which emerged in the late Nineties. This text sends a strong signal, stressing that the principles to defend →
Begins on September 11 in Amsterdam, the fourth edition of the Next Five Minutes, International Festival of Tactical Media , which takes place after a year of 'Labs' held around the world witnessing the fusion of →
Conceived as a meeting place for artists and audiences Nordic LiveArt is an international festival that is held for the second time in Gothenburg September 6 to 14, crossing several branches of contemporary media. Privileged in →
The code as programming language or description of processes, is increasingly at the center of the analysis of theoretical and new media artists, for its ability to implement ideas and unpredictable change social contexts creating tools →
The interface of the music sequencing is acquiring its own characteristics, stimulating different artists to give their own interpretations of a paradigm that has been established over time. Recursive passing of sounds marked by the respective →
Among the simulations possible with the tools boost graphics processing within the web pages (flash and shockwave), there are spectacular achievements that coupling the rendering of physical laws with the optical performance of the movement of →
In a symbolic gesture and liberating, the artist who is signed under the pseudonym of 'The Boiler' has made public the text of the catalog of Ars Electronica 2003 , probably not printed yet. The texts →
The Right to Flash is a petition brought by an Englishman (Amir Dotan), an Israeli (Mushon Zer-Aviv) and a Palestinian (Naim Kamel), which explicitly calls for the software company to make Macromedia Flash compatible with writing →
