Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
.hacktivism
25.03.03 Stop War, media resistance.
The importance of the media war front is demonstrated by the tremendous efforts on the big networks’ part, which chose to stake a lot on the Internet. In Italy, RAI (the State-controlled broadcasting corporation) has set up third-level domain (www.obiettivoiraq.rai.it), as if this war was something like the soccer world cup, and everybody is opening special sections on their sites to trasmit ‘last minute’ news. On the other hand, against the media lies about ‘smart bombs’ and the statement by US Central Command general Tommy Franks (‘We won’t count the enemies’ bodies’), a website called ‘Iraq Body Count‘ was created. It includes a freely downloadable banner continuously updated with the number of iraqi civilians who died under the bombings. The banner is equipped with a counter showing a minimum figure (the one given by the USA) and a maximum one (the one given by Iraq), so the visitor can have a rough idea of the truth. In Italy, Peacelink has set up a Mediawatch aiming to unmask the false, partial or inexact informations about this war and other past and present wars. Indeed, USA itself spreaded leaflets throughout the iraqi territory trying to subdue the population, and there haven’t been significant cases of defacement of official websites, except the quello della American Academy of Diplomacy site. Among the artistic anti-war statements there’s the one by Futurefarmer, who led a movement of 140 designers from all over the world, who changed their splash page with the ‘No blood for oil and profit’ sign. During the March 21 session of the Unesco Day of Poetry in Florence, supervised by Caterina Davinio (Technopoetry for Peace), there will be an exhibition of videos, digital images and visual poems against war, made by tens of artists.
