Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
September 11, 1973. Palacio de la Moneda, Santiago. During the bloody coup backed by the United States and led by the country’s future dictator, General Pinochet, former president Salvador Allende took his own life with a single gunshot. This last extreme political act not only meant the death of Allende but also an end to democratic politics in Chile and the vast program of reform that he had initiated. Among the many cultural, political and economic projects promoted by Allende was a program called Cybersyn. This was intended to help streamline the country’s economy by creating a dynamic system that could coordinate the production, storage and transportation of goods, integrating requests and actual needs. The system would have run “online” thanks to an artificial neuronal structure. The interactive installation MULTINODE_METAGAME by Chilean artists Catalina Ossa Holmgren and Enrique Rivera Gallardo, rebuilds the futuristic interface of the Opsroom, the Cybersyn’s control room, giving new life to the concept of interconnectivity: communication in real time between multiple systems through the use of computer technology. MULTINODE_METAGAME is a complex user installation conceived of as an interactive documentary film, where the visitors can create their own narrative path to understand the project, communicate between installations and contribute their own testimonies. Users are able to interface with the installation on three time levels: the past, drawing on historical information about the original project; the present, with realtime communication between users; and future, with users able to extend the installation data by inputting their own knowledge. Benedetta Sabatini
