Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Begins on September 11 in Amsterdam, the fourth edition of the Next Five Minutes, International Festival of Tactical Media , which takes place after a year of 'Labs' held around the world witnessing the fusion of art, media and politics. The whole event seeks to offer possible visions in the strategic use of the media by contacting assodate concrete experiences and practices, with the sole aim of sharing information and experiences in a wide international audience. The sections are noticed conferences Tactical Cartography: Diagrams of Power, Critical Games, New Landscapes for New Media, Freedom of movement = Freedom of Information?, Bodies of Globalization, The Indymedia Debate, Contestational Science, recuperating Video's Meaning, Radio Space "wireless in your psyche ", Italy and Paper Laboratory Revenge, which will also present Neural. In addition to various workshops, then, is also set up a studio for media productions in the field, the Hybrid Media Studio, as well as an open space for spontaneous presentations? Tactical Autonomous Zones, will be present as well as the Swap Meet, where 25 sheets will be available to anyone who wants to use (pressocch? anywhere) to set up their own space. Present, and finally a set of facilities, including: Cybermohalla between the installations of the center Sarai, Bureau d'Etudes, Podebal, Mobile Transgenic Fast-Food Test Lab of the Critical Art Ensemble, and Archeopteryx The Riot Porn Video Booth and the famous video Stupid stunt the Yes Men.
