Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Tsonami Arte Sonoro, ISSN: 0719-4625, Spanish, 68 pages, 2021, Chile
Tsonami Arte Sonoro is an excellent festival of sound art in Valparaiso, Chile (see Neural #45), which carries out a range of related activities including record →
Uniformbooks, ISBN-13: 978-1910010266, English, 240 pages, 2021, UK
This is the third anthology on sound art practices by Cathy Lane & Angus Carlyle (founders of CRiSAP – Creative Research in Sound Arts Practice at the →
cassette + folding card box and 4 photo cards – farpoint recordings | K7
The Telepathic Lockdown Tapes is a release from Mick O’Shea and Danny McCarthy, an Irish sound art and improvisation duo formed under the moniker The Quiet →
Bloomsbury, ISBN-13: 978-1501344435, English, 278 pages, 2019, UK
Territorial research on specific media art is meant to highlight the particular cultural fabric that connects different art expressions within a geographical boundary. But while territory is →
grapefruits.online, English, 28 pages, 2019-2020, Germany
At last we are witnessing much needed attention paid to women composers in experimental and electronic music. The ground breaking work of pioneering and contemporary women artists is increasingly →
Govett-Brewster Art Gallery, ISBN-13: 978-1988543031, English, 56 pages, 2020, New Zealand
The realm of art and sound is a slippery one, with ‘sound art’ being a bit abused as a definition, but with plenty of →
Bloomsbury Academic, ISBN-13: 978-1501333774, English, 208 pages, 2019, UK
This is the second (revisited edition) of one of the first books addressing sound art as such, attempting through a diversified research a consistent and universal →
CD – Kvitnu
After Big Space Adventure, a double LP published in 2018 for Private Persons, the sound artist Dmitriy Avksentiev, aka Voin Oruwu, now releases ten new futuristic tracks for the label Kvitnu by Dmytro Fedorenko and Kateryna →
CD – Twin Paradox
In Cosmo Tengri, the Kazakh sound artist Angelina Yershova is deeply engaged in the terrestrial ecosystem: deforestation, sustainability and the preservation of nature. In the video that accompanies the album’s first track, “Korgau”, the refined experimentalist →
Errant Bodies Press, ISBN-13: 978-0997874426, English, 144 pages, 2019, Germany
One of the characteristics of experimental music and even more of sound art, is that they have allowed musicians to permeate their work with specific →
