“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
Each year artists, gallery owners, collectors, curators and critics from around the world gather in Basel to attend a series of contemporary art fairs. Although the most significant of these is undoubtedly Art Basel, there are a number of satellite →
“Money is a social construct that largely exists in people’s minds” Brett Scott
Money Watching (2007) was a performance by Cesare Peitrousi as part of the series ‘Paradoxical Economies’ by Ikon Gallery. A shop in a commercial area of Birmingham was →
See the Elektra 12 photo set on Flickr
Montreal is the undisputed cultural capital of Canada and the largest city in the French-speaking province of Quebec. Although there’s a visible and perceivable strong legacy →
Check the Electrohype 2010 photo set here.
After a fascinating snowstorm, the sixth edition of Electrohype, the biennial for electronic art, opened at the Ystad Art Museum in Ystad (Sweden). A point of →
Check the Vivo arte.mov 2011 photo set here.
arte.mov has been a major Brazilian fes- tival of art and new media in the last few years. It’s especially focused on mobility, in part because it’s →
Check the Culture(s) of copy photo set here.
Copying as a tool of the re- appropriation of meaning, amplification and creation of sense: this was the territory chosen for the exhibition “Culture(s) of copy” hosted →
Check the Pasajes. Viajes por el híper-espacio photo set here
Moving through the imposing Greek columns made of neon that are reminiscent of typical ancient ones, immediately evokes the feeling that →
Check the ISEA2010 photo set here (140 pictures).
The 2010 edition of the “nomadic” ISEA (International Symposium on Electronic Art) was even more nomadic this year, traveling through three cities: Essen, Dortmund (where the core →
Check the Interferenze photo set here.
The idea of the nonconformist as no longer the black sheep but the one now wearing a digital player and headphones admirably sums up the theme of the 2010 →
Check the Habitar photo set here.
Invisible Architectures: the curiosity generated by this paradox is the starting point of Habitar – Bending the urban frame, the new stage of the broader curatorial path taken by →