Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The pixel, a key element of digital graphics, and the matrix, its structure, have long been out of the pages of manual graphics programs, to become cultural archetypes. On this is based aesthetic that exploits the →
The definition of ‘artificial creativity’ involves the possibility of machines to be programmed to generate artifacts of any kind comparable with those made by a human mind, through processes and algorithms impossible for a human →
The complex transformation project data of the duo behind Nybble-Engine after several years of evolution has reached a maturity that reflects the stratification of levels in dynamic interconnection between them. The complex interactions that involve the →
A member of the large collective Incident.net, Reynald Drouhin is one of the most original french electronic artists for its interpretations of digital archetypes. His work touches not only the nature of images but, more importantly, →
Formula è il primo sospirato prodotto non esclusivamente sonoro di un artista di rango come Ryoji Ikeda, e testimonia i suoi diversi pregi artistici (visionarietà, impeccabile dettaglio, coerenza nella ricerca) e alcuni suoi difetti umani (riottosità →
The concept of public space in a city, even if originally intended as a physical place for debate and confrontation, has undergone a radical transformation during the years, and now fully contains all the immaterial production →