Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
The Belgian artist Jasper Rigole has dedicated his research to the concepts of authenticity, objectivity, falsification, and the special role that they play in relation to the processes of historization and, more generally, to →
DVD, microcinema
, 2010
Released in 1997 this movie celebrated one of the most underrated woman in the history of technology. In fact, Ada Byron King, Countess of Lovelace (here interpreted by →
The Secret Sounds of Spores is an installation created by Yann Seznec and mushrooms expert Patrick Hickey. As the title suggests, Seznec’s intention was to translate the movement of spores into sound. →
Artists Ethan Miller and Ethan Ham have made an art installation in the Schneider Museum of Art, at the University of Southern Oregon, that transforms their university into the University →
Studienverlag & Transaction Publishers, ISBN 978-3706547956, Austria, 2009, English
The centrality of search engines in everyday lives has recently been focused on by different institutions involved in →
Autonomedia, ISBN 978-1570272059, UK, 2009, English
The 4th anthology of texts realized by the DATA Browser series editorial group, is focused on “security”, an ambiguous yet extremely popular concept, exploited →
Conceptually, a computer’s memory is not only the place where code and data are temporary hosted, but it is also the short term reference for everything that is rendered on the screen. In a →
The digital representation of reality is technically and conceptually a fake, and this “fake” is more and more what we’re used to. The process of reducing in pixels (causing a loss of details), →
Mark Batty Publisher, ISBN 978-0979966668, USA, 2009, English
Error, and even more importantly, its perception and visual beauty are at the heart of the “glitch art” movement. Be it ethereal, →
With the installation Sonicity, the English artist Stanza adds another significant chapter to his quest for new metaphors to translate the countless interactions produced by data passing through an environment into a sensory plane. →
