Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
2LP – Shelter Press
Forte dell’accurata selezione di David Simple e Vincent Romagny il doppio LP Doppeldoppelgänger è una raccolta di brani di artisti (Félicia Atkinson, bruant&spangaro), suoni da film di artistsi (David Lamelas), poesia sonora e performance (John Giorno, Karl Holmqvist, Lisa Holzer & David Jourdan), lavori provenienti da compositori di culto (Benjamin Britten, Jean-François Pauvros, Gérard Pesson, Jean-Claude Vannier), gruppi leggendari (Deux Filles), in alcuni casi difficilmente classificabili (Potima Zen Neumann, Joiejoiejoie) o ripresi da speciali registrazioni (Aidons Antoine, Melissa Saint-Pierre, Anne Steffens and Don Niño). La collezione è stata realizzata in occasione di un ciclo di tre mostre sul tema del “doppio” al Centre Européen d’Actions Artistiques Contemporaines di Strasburgo, in Francia. Nei secoli – naturalmente – sono state moltissime le opere provenienti da differenti ambiti artistici (opere letterarie, pittoriche, musicali e cinematografiche) che sono state realizzate sull’idea del “gemello maligno”, della “bilocazione” e che sono derivative della suggestione di un “duplicato spettrale o reale di una persona vivente”. Anche a differenti latitudini e considerando più tradizioni culturali il concetto di doppelgänger quasi sempre assume – tuttavia – un carattere perturbante, prefigurando una qualsivoglia riconfigurazione dell’identità o il presagio di qualcosa di persecutorio. Quello che i curatori hanno cercato di evitare sono proprio i vincoli tematici e formali in applicazione delle diverse modulazioni del concetto, preferendo far da base ai molti testi letterari e alle differenti narrazioni, che inevitabilmente possono entrare in relazione fra loro oppure no. È in quest’ottica – allora – che possiamo interpretare le molte citazioni che campeggiano sulla copertina del disco, una sorta di mappa mentale su un tema interessantissimo, controverso e ricco di riferimenti e implicazioni.
A2. bruant&spangaro ‘OU-A-O-OUM’
