Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Mute Books, ISBN: 9781906496517, 184 pages, 2011, English
Si tratta di un libro concettuale ma di agile lettura con un unico tema ma ben sviluppato. Agit Disco, infatti, è una “collezione di playlist fatte da 23 scrittori che in questo modo documentano come la musica li abbia politicamente influenzati.” Gli editori lo definiscono un “progetto archivio” ed è indubbiamente questo, ma è anche un archivio in tempo reale poichè gli editori hanno personalmente coinvolto i contribuenti in un processo di condivisione di musica, pensieri e CD. La scelta personale di musica attraverso il mezzo playlist si conclude con la produzione di una copia fisica amatoriale e con la discussione sui testi. Mute Books ha creato un canale su YouTube con tutti i brani del libro per aiutare il processo. E’ un’idea brillante, che permette di descrivere in uno spazio limitato (il CD, un mezzo che può circolare, ma con quantità molto piccola di musica memorizzabile rispetto a qualsiasi lettore MP3 corrente) un percorso politico personale, trovando connessioni inaspettate all’interno dellplaylist, ma riflettendo ancora sulla connessione tra musica popolare e politica della classe operaia. La combinazione della lettura lenta sulla carta e l’ascolto stabilisce una base forte per la consapevolezza collettiva e il discorso politico. Nato da un blog WordPress il progetto ha coinvolto, tra gli altri, alcune celebrità sotterranei britannici come Howard Slater, Stewart Home, Louise Carolin e Tom Vague, e ogni playlist è diventato un CDr con la sua etichetta colorata (tutti nella foto nel libro). La musica varia nel tempo e per gusti, ma rimane sempre lo spazio per il desiderio e la libertà. Fare delle playlist può diventare un atto rivoluzionario?
