Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Uno dei progetti più interessanti che ha integrato scienza, coscienza ambientale e arte è stato PigeonBlog, di Beatriz da Costa, con la partecipazione di Cina Hazegh e Kevin Ponto. Il progetto si basa sull’equipaggiare colombi con telefoni GSM e GPS in un a piattaforma open source che comprende sensori d’inquinamento CO/NOx. I dati risultanti (ottenuti a terra e ad un’altezza fino a quasi 90 metri) sono poi mappati tramite Google Maps. Ispirato dai colombi con macchine fotografiche meccaniche, che si sarebbero dovuti usare come spie durante le guerre del ventesimo secolo, questo lavoro utilizza un tipico schema di sorveglianza: usare elementi apparentemente neutrali (gli uccelli) come nodi di un network di recupero dati, trasformandoli infine in una iniziativa popolare di recupero di dati scientifici”. Uno dei fini del progetto è quello di alzare la coscienza sull’invisibile ma molto pericoloso inquinamento dell’aria, che tipicamente riguarda i sobborghi urbani, e allo stesso tempo costruendo un prototipo di un metodo nuovo indipendente e potenzialmente popolare di auto-controllare dati importanti sull’ambiente urbano che ci circonda. Inoltre il progetto è basato sulla condivisione di conoscenza attraverso un processo di mapping generato. Questi dati ottenuti da uno sciame ibrido consentono alle persone di prendere parte (senza intermediari istituzionali) alla protezione delle risorse ambientali, e lo strumento aperto usato permette di monitorare efficacemente una delle risorse pubbliche più preziose di cui disponiamo. In definitiva questo è un must nella filosofia open source fuori-dallo-schermo.
