Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
Werkleitz Festival 2015. move ON – New media art from Australia, Canada and Europe: Report from Halle, Germany by Judith Funke*

Exhibit No. 1: A large black rubber dinghy lying in the entrance festival centre hall like a stranded whale. The boat had been transported from the Greek island of Lesbos to become part of the festival exhibition. Before its last →
Art Basel – Digital in Art

Each year artists, gallery owners, collectors, curators and critics from around the world gather in Basel to attend a series of contemporary art fairs. Although the most significant of these is undoubtedly Art Basel, there are a number of satellite →
Ctrl+Alt+B#: Moneylab: Coining Alternatives Report, March 20-22 2014.

“Money is a social construct that largely exists in people’s minds” Brett Scott
Money Watching (2007) was a performance by Cesare Peitrousi as part of the series ‘Paradoxical Economies’ by Ikon Gallery. A shop in a commercial area of Birmingham was →
Elektra 12, report from Montreal, Canada.
See the Elektra 12 photo set on Flickr
Montreal is the undisputed cultural capital of Canada and the largest city in the French-speaking province of Quebec. Although there’s a visible and perceivable strong legacy →
Electrohype 2010 – Report from Ystad (Sweden)
Check the Electrohype 2010 photo set here.
After a fascinating snowstorm, the sixth edition of Electrohype, the biennial for electronic art, opened at the Ystad Art Museum in Ystad (Sweden). A point of →
Vivo arte.mov 2010 – Report from Belem
Check the Vivo arte.mov 2011 photo set here.
arte.mov has been a major Brazilian fes- tival of art and new media in the last few years. It’s especially focused on mobility, in part because it’s →
Culture(s) of copy – Report from Edith Russ Haus
Check the Culture(s) of copy photo set here.
Copying as a tool of the re- appropriation of meaning, amplification and creation of sense: this was the territory chosen for the exhibition “Culture(s) of copy” hosted →
Pasajes. Viajes por el híper-espacio [Passages. Travels in Hyperspace], 2010, report from Laboral
Check the Pasajes. Viajes por el híper-espacio photo set here
Moving through the imposing Greek columns made of neon that are reminiscent of typical ancient ones, immediately evokes the feeling that →
ISEA2010 RUHR report
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Check the ISEA2010 photo set here (140 pictures).
The 2010 edition of the “nomadic” ISEA (International Symposium on Electronic Art) was even more nomadic this year, traveling through three cities: Essen, Dortmund (where the core →
Interferenze 2010 Rurality 2.0 report
Check the Interferenze photo set here.
The idea of the nonconformist as no longer the black sheep but the one now wearing a digital player and headphones admirably sums up the theme of the 2010 →