“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
CD – Mutable Music
Interfacing MaxMSP with a violin, Mari Kimura extends the traditional expressive techniques of the instrument, focusing his research primarily on the range of subharmonics. “The World Below G And Beyond” – however – use an approach which seeks to implement a technological framework able to increase structural references in both the experience of the performance and the listening, channeled using virtuoso but very contemporary performative strategies. This is interactive music deployed to experiment with new relationships, to expand the tonal system while modulating improvisational skills, but bringing them back under the control of executive processes. The project is composed of sixteen tracks that are passionate and melancholic, abstract but not without oblique narratives and moments of intensity, calibrated in a style capable of presenting strong emotions, educated quotes, and rich synergistic crossovers. Several interconnected elements come together in these graceful and delicate tonal tunes.